John Varley 1778 – 1842

John Varley, was an English watercolour painter and a close friend of William Blake. They collaborated in 1819–1820 on the book Visionary Heads, written by Varley and illustrated by Blake. He was the elder brother of a family of artists: Cornelius Varley, William Fleetwood Varley, and Elizabeth, who married the painter William Mulready.

Varley was born at the Old Blue Post Tavern, Hackney, on 17 August 1778. His father, Richard Varley, born at Epworth in Lincolnshire, had settled in London after the death of his first wife in Yorkshire. His parents discouraged his leanings towards art, and placed him under a silversmith. But on their death he was for a brief time employed by a portrait painter in Holborn and then, at the age of 15 or 16, he became a pupil of Joseph Charles Barrow who held an evening drawing school twice a week at 12 Furnival’s Inn Court, Holborn. It was Barrow who took Varley on a sketching tour to Peterborough from which he emerged as a professional painter. In 1798 he exhibited a highly regarded sketch of Peterborough Cathedral at the Royal Academy and became a regular exhibitor at the RA until the foundation of the Old Watercolour Society in 1805.

In 1799 he visited North Wales, and in its wild mountain scenery found the subjects best suited to his brush. He returned to the same district in 1800, and again in 1802, and the impressions then received powerfully influenced the whole course of his art.

As one of the founders of the Old Watercolour Society,  Varley exhibited largely there over 700 drawings. He also became a highly successful drawing master with pupils including Copley Fielding, David Cox, John Linnell and William Turner (artist) of Oxford. Despite his success, his growing family meant he was constantly in financial difficulties, “since he was both a hopeless businessman and by temperament something of a Micawber”.

Varley was particularly skilled at the laying of flat washes of watercolour which suited the placid, contemplative mood that he often sought to evoke. According to the Encyclopaedia Britannica Eleventh Edition, “Varley’s landscapes are graceful and solemn in feeling, and simple and broad in treatment, being worked with a full brush and pure fresh transparent tints, usually without any admixture of body-colour. Though his works are rather mannered and conventional, they are well considered and excellent in composition. Some of his earlier water-colours, including his “Views of the Thames,” were painted upon the spot, and possess greater individuality than his later productions, which are mainly compositions of mountain and lake scenery, produced without direct reference to nature.”

He is buried at Kensal Green Cemetery, Kensington, London.

 

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